Category Archives: Art

#LowTechLabLondon2016

#LowTechLabLondon2016 is a project developed by Raúl Marroquín and coordinated by Daniela Medina Poch for the Educational Program of the Saatchi Gallery that will take place on January 15th, 16th and 17th of 2016.

“‘LowTech means technology that is cheap or free.”
James Wallback, LowTech Manifest for The Next 5 Minutes conference in Amsterdam, March 1999.

This experiment is inspired in the role artists have had in the development of technologies and innovation from very early stages. To mention a few, alchemy in the Middle Ages, multidisciplinary advancements throughout the Renaissance and more recently during the second half of the XXth Century and the first decade of this millennium: Video of the 1960’s and 1970’s, cable television of the 1980’s and 1990’s (USA & Canada and later in the Netherlands and Continental Europe) digital communications of the first decade of the 2000’s up to the present with user information and communication platforms, internet, streaming mobile, social media, augmented reality, etc.

As Klaus Fruchtnis mentions: “LowTech applied to communications has given the possibility of having a more exhaustive control in the management of information.”

Today artists continue to play a crucial role in the development of hardware, software and applications. The last four decades are full of examples; to mention a few: “Music Video” is based in the progress and achievements of video artists in the 1960 – 1980’s, video and media art have also influenced audio visuals in education, news gathering and journalism, activism and, last but not least, the advertisement industry.

#LowTechLabLondon2016 is a three day lab that makes use of LowTech, user and discarded technologies coupled with the repurposing of existing hardware and other facilities. It involves those present at the Educational Space of the Saatchi Gallery taking part from tabletop stations devised to interact in one-to-one and one-to-few engagements, as well as remote contributors from abroad, via social media: WhatsApp, Illustrated Twitter, SnapChat, video conferencing and live streams.

The aim of #LowTechLabLondon2016 is to generate a brief, concise and powerful event, that will include artists, students (PCA, Paris and Universidad Nacional, Bogotá, and others) musicians, writers, stage actors and directors, academics, researchers, journalists, politicians and designers realising artworks, workshops, tutorials, experiments: successes and failures, processes, interviews and discussions, presentations, discussions, performances and recitals, as well as urban bootcamps, klutges, scale models and prototypes either live or transmitted from other locations in London, the continent and the Americas.

One of the goals of the lab is to monitor the developments of LowTech throughout the last 50 years and how it has been redefined through the beginning of the second half of the XXth century. From low quality and low resolution, evolving into current user technologies were, for instance, average phone cameras are better than a betacam of 30 years ago, the LowTech have expanded and transformed into user technology.

Additional to the activities taking place at the Educational Space and taking into account the historical past of the area: Kings Road, the Punk Movement, etc, the lab includes works realised outdoors on locations such as streets, parks, shops, bars and terraces near the location of the gallery.

Social Media plays an important role in the daily coverage of the experiment: Everything will be streamed via Periscope, LiveStream, YouTube Live and ephemeral platforms like SnapChat.
A final publication will round up the event.

This event is produced in collaboration with PCA Master’s students in Transdisicplinary New Media.

FREE ENTRANCE.

LIVESTREAM: http://livestream.com/hoeksteenlive

The #LowTech Blog: DeHoeksteen.live.nu
Facebook Event: LowTechLab London2016
LinkedIn:  hoeksteencornerstone
Recordings in YouTube:  StudioMarroquin
Instagram:  StudioRaulMarroquin
Google+:  StudioMarroquin.
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Participants LowTech Lab London2016 Saatchi
  • Muu Blanco
  • Operating in Miami
  • C C Brown
  • Operating in New York
  • Nicolás Canal
  • Operating in Ubaté, Colombia
  • Elena Corchero
  • Operating in London
  • Catalina Correa
  • Operating in Chile
  • Melissa Cruz
  • Operating in The Hague
  • Yolanda Duarte
  • Operating in Bogotá
  • Alejo Duque
  • Operating in London
  • Jackie Fei Yongqing
  • Operating in London
  • Max Franklin
  • Operating in London
  • Klaus Fruchtnis
  • Operating in London
  • Cheryl Gallaway
  • David García
  • Operating in London
  • Jakobson Helga
  • Operating in London
  • Johanna Ibañéz y David Motos
  • Operating in Bogotá
  • Claire Leggett
  • Operating in London
  • Carlos Llávata
  • Operating in Valencia
  • Filippo Lorenzin
  • Operating in Düsseldorf
  • Raúl Marroquín
  • Operating in London
  • MauzZ
  • Operating in Amsterdam
  • Svetlana Mircheva
  • Operating in Sophia
  • Michael O’Connell
  • Operating in London
  • Catalina Rodriguez
  • Operating in Bogotá
  • Basma Seif
  • Operating in London
  • Sanet Stegmann
  • Operating in London
  • Iván Tovar
  • Operating in London
  • Alberto Vejarano
  • Operating in Paris
  • Andrew Voxakis
  • Operating in London
  • Carlos Zatizabal
  • Operating in Bogotá

 

#LowTechLab London2016

#LowTechLab London2016

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Filed under Art, Communication, crossmedia, Evolution of LowTech, LowTech, Media, mediaart, multimedia, New media art, social media, streaming media, StreamlineMedia Asset Management, Technology, telecommunications, Uncategorized

Haus der Kunst

January 5, 2015

jan5_hdk_imgDavid Adjaye, Silverlight (stairs) London, 2009. Photo: Ed Reeve.

David Adjaye: Form, Heft, Material

January 30–May 31, 2015

Haus der Kunst

Prinzregentenstr. 1

80538 Munich

Germany

http://www.hausderkunst.de

The distinctive work of architect David Adjaye (b. 1966) comprises approximately 50 built projects—from museums to libraries, private houses to social housing, urban master plans to college campuses, pavilions for artists and children’s playgrounds. His most recent commissions include the design of the National Museum of African American History and Culture in Washington, D.C., as well as the National Museum of Slavery and Freedom in Cape Coast, Ghana.

The early buildings of the Ghanaian-British architect, who studied in London at the Royal College of Art, were private commissions and often developed in collaboration with artist friends, including the homes he designed for Chris Ofili, Tim Noble and Sue Webster, Dinos Chapman, Lorna Simpson and James Casebere, amongst others.

Adjaye’s private structures play with the contrast between hermetically sealed fronts and unexpectedly generous openings in the back, thereby accommodating the owners’ need for a private retreat. In contrast, as open and permeable structures, his public buildings are socially effective architecture. Unlike structures of pure functionalism and iconic monumentality, they approach their users rather than patronizing them. Adjaye often uses materials that change color through their exposure to light, take on different textures due to varying weather conditions or provoke viewers to touch them because of their distinctive tactile qualities. They thereby also engage sensually in a dialogue with their audience.

The exhibition examines more than 30 projects through drawings, models, installations, photographs, videos, and material fragments. The survey exhibition, the most extensive of Adjaye’s career, is organized by Haus der Kunst and Art Institute of Chicago. It is curated by Okwui Enwezor, director of Haus der Kunst, Munich, and Zoë Ryan, chair and John H. Bryan Curator of Architecture and Design at the Art Institute of Chicago.

The catalog, edited by Okwui Enwezor and Zoë Ryan, includes contributions by David Adjaye, Peter Allison, Andrea Phillips and Mabel Wilson.

Supported by Ford Foundation; Tony & Elham Salame, Aishti Foundation; Michael Hue-Williams, Albion Barn; East Deck; Design Indaba; Amalia Dayan and Adam Lindemann; Gaby and Wilhelm Schürmann; Jürg Zumtobel, and Zumtobel.

Media partner: domus – German edition, PIN-UP

Current exhibitions

Vitor Man: Zephir

till 11 January 2015

Capsule 01: Tilo Schulz

till 11 January 2015

Capsule 02: Mohamed Bourouissa

till 11 January 2015

Georg Baselitz: Back then, in Between and Today

till 2 February 2015

Der Öffentlichkeit – Von Den Freunden Haus Der Kunst:

Anri Sala: The Present Moment

till 20 September 2015

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Friends with Books: Art Book Fair Berlin

ArtBook

13–14 December 2014

Café Moskau

Karl-Marx-Allee 34

10178 Berlin

Hours:

Saturday, 13 December, 11:00 h–19:00 h

Sunday, 14 December, 11:00 h–19:00 h

Admission is free

Reception:

Kosmetiksalon Babette

with Good Times & Nocturnal News and guests

Saturday, 13 December, 19:00 h till late

Directions:

U 5, Station Schillerstraße (across the street from Café Moskau) -or- U- and S-Station Alexanderplatz (7 minutes’ walk)

Friends with Books: Art Book Fair Berlin takes place on the weekend of 13 and 14 December, 2014, as Europe’s premier festival for contemporary artists’ books and periodicals by artists and art publishers. Featuring 100+ international participants and a series of public programmes: discussions, readings, presentations, performances, and artists’ interventions and projects that explore the perimeters of today’s art publishing.

Friends with Books is a non-profit organisation founded in 2014 offering greater visibility to contemporary artists’ books and art publications, including an annual art book fair, public programming, and partnerships with art organisations and institutions, facilitating the engagement of diverse audiences with the book works of artists and publishers worldwide.

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Performance Willem Wilhelmus [New Media Art Festival Miami 2013]

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ARTE FIERA 2013

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International exhibition of contemporary art

25–28 January 2013

Bologna Exhibition Center

A “new ARTE FIERA” to further strengthen the national and international leadership of the largest Italian fair devoted to modern and contemporary art. A strategy that begins with the appointment of two new artistic directors for the exhibition, Italian art experts Giorgio Verzotti for contemporary art and Giorgio Verzotti for modern art.

ARTE FIERA 2013, International exhibition of contemporary art, will offer a complete panorama of artwork thanks to the presence of distinguished modern and contemporary art galleries and to the creation of even stronger synergy with Bologna and its cultural institutions.

ARTE FIERA 2013 Events

ARTE FIERA Conversations – The 2013 edition will host Arte Fiera Conversations, panels, talks and debates all gathering in two new frames. Talks of “In the Spotlight” will be focused on personalities speaking about their direct or professional art-related experience. Those of “Looking forward” will have the purpose to present peculiar patterns for artistic and cultural expression.

Italian Stories Exhibition – Curated by Laura Cherubini and Lea Mattarella
The exhibition features around eighty selected works by artists represented by the galleries participating in Arte Fiera 2013. It spans the twentieth century through the younger generations, concentrating not just on the most important characteristics of Italian art but also on the way in which our country’s culture has served as a stimulus and source of inspiration for artists outside Italy. It is a story in images of the way we are, the way we see ourselves and the way others see us.

A New Section: SOLO SHOW – Among the announced initiatives, supplementing the sections devoted to modern and contemporary art, is the new SOLO SHOW section for galleries that intend to present exhibits focusing exclusively on the works of a single artist. The artists who take part in this new ARTE FIERA initiative will be selected by the Artistic Committee from among the proposals submitted by exhibiting galleries.

Award Euromobil Under 30 – The seventh edition of the Euromobil Group Award is addressed to the under 30 Italian and foreign artists whose works are exhibited at Arte Fiera 2013. The Award will be assigned by a jury of experts and critics. The prize will be presented during Arte Fiera on Saturday, January 26th at 16.00 at the Euromobil Group Space “I luoghi dell’arte, i luoghi del design.” The winner will be invited to “interact” with the Collectons of Euromobil Group, main sponsor of Arte Fiera.

ART CITY Bologna 2013
Museums, exhibitions, events in town – ART CITY Bologna represents the programme of exhibitions and institutional initiatives proposed, on the occasion of Arte Fiera, through museums and public places in town. Giorgio De Chirico at the Archeological Museum, Marino Marini at the Archiginnasio Library, Bas Jan Ader at Villa delle Rose give you a small anticipation on the over twenty exhibitions that will be a further chance to discover Bologna.

Art White Night – Saturday January 26th, night will come alive and enlighten the Bologna city centre during the Arte Fiera’s White Night. An extraordinary event that will involve museums, exhibitions, art galleries and shops open to public until midnight and many other initiatives all over the town.

Opening times
Preview by invitation: Thursday 24 January, 12–9pm
Opening to visitors: Friday 25–Monday 28 January
Opening hours: Friday 25–Sunday 27 January, 11–7pm; Monday 28 January, 11–5pm

Daily ticket: 20.00 EUR
Pass for 4 days: 35.00 EUR
Sectors: Modern and contemporary art; publishing houses, bookstores, institutions;
Entrances: Costituzione Ovest entrance and Nord entrance

Organisation: Arte Fiera – BolognaFiere
Viale della Fiera, 20, 40127 Bologna, Italy
T 39 051 282 111 / artefiera@bolognafiere.it

www.artefiera.bolognafiere.it

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Te pienso (I think of you) Combi Streams

Te pienso (I think of you) Combi Streams

Combinations for live streams “Te pienso” (I think of you) by Jessica Lasso, Live performance for Sunday Matinees Museo de Arte Contemporaneo Bogota Case Study for Streaming Media West, Los Angeles October 30-31.

Combi Streams: Mobile/laptop, live real time: Qik cast (Bogota) Syndicated Livestream (Amsterdam) parallel webcasting.

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by | 2012/10/05 · 17:23

Reflections observations of crossmedia from live stream

Reflections, observations of cross media from live stream

Using “Las huellas de Wuaneetunail” (The tracks of Wuaneetunail) performance real time animation by Yolanda Duarte for Sunday Matinees at the Museo de Arte Contemporaneo Bogota, as a case study for Streaming Media Europe, London October 15-17, via: http://www.livestream.com/hoeksteenlive

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by | 2012/10/05 · 16:26

Premiere ¨The wind of the Fall¨ (by night) Miguel Angel Montoya.

Autumn in Amsterdam, early October 2012.

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by | 2012/10/04 · 03:10

US analyst sees IFA as the world’s leading electronics trade show

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Berlin (dapd). According to US blogger and analyst Michael Gartenberg, when IFA opens on Friday the big-name manufacturers and retailers from the US and Asia will also be in Berlin. “IFA gives the US market a good indication of what will soon be on the market here”, said Gartenberg in an interview with dapd. IFA already sets the pace worldwide and lays down the topics for other shows such as CES in January in Las Vegas.

“Nowadays a press release from Berlin is picked up and discussed immediately in the US”, said Gartenberg, commenting on the growing attention that IFA commands. Gartenberg is an IT industry observer for market analysts Gartner. IFA’s importance will continue to grow: “We have not yet reached the point where trade shows such as IFA are becoming less important or irrelevant”, said Gartenberg.

CES, its competitor, is still more important in North America. However, globally speaking “IFA’s influence is big, in the US as well as in South America and Asia”. According to Gartenberg IFA’s success has less to do with its timing, shortly before Christmas trading begins, but more to do with Berlin: the show benefits from the city and its location at the heart of Europe. What is more the exhibition grounds are bigger than in Las Vegas, allowing IFA to display an even wider range of products.

Gartenberg sees no signs of the industry’s major players shunning electronics trade shows. The decision whether to exhibit or not depends on each individual company’s situation. Apple is a special case anyway: “They know that everybody will be talking about them even if they are not exhibiting at IFA “, said Gartenberg.

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Snapshots from the opening of “Paparazzing” by Raul Marroquin at Witzenhausen Gallery

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